Charles eliot norton lectures john cage

But the charged personal encounter between master and disciple is precisely what interests Steiner in this book, a sustained reflection on the infinitely complex and subtle interplay of power, trust, and passions in pedagogy.

Linda Nochlin explores the contradictions and dissonances that mark experience as well as art. Her book confronts the issues posed in representations of the body in the art of impressionists, modern masters, and contemporary realists and post-modernists.

James Cahill explores the radiant painting of that tumultuous era when the collapse of the Ming Dynasty and the Manchu conquest of China dramatically changed the lives and thinking of artists and intellectuals. Over illustrations, including 12 color plates, are drawn from collections in the United States, Europe, Japan, and China.

Art, William Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and cannot be purely understood in the rational terms of academic disciplines. The studio is where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity.

Poetics of Music in the Form of Six Lessons. One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution.

Literary Currents in Hispanic America. Language and Poetry: Some Poets of Spain. The Romantic Generation of Chinese Writers. What is race and why does it matter? Why does the presence of Others make us so afraid? The Charles Eliot Norton Lectures. Order form » Black lives matter. Black voices matter.

A statement from HUP ». Subscribe to E-News. In Defence of the Imagination Gardner, Helen Helen Gardner , a vigorous and eloquent champion of traditional literary values, feels that these values have been subverted by some of the ablest of modern academics and by prevalent tendencies in criticism and teaching today.

I—VI Cage, John There have never been lectures like these: delivered at Harvard in —89 as the Charles Eliot Norton Lectures, they were more like performances, as the audience heard them. Six Walks in the Fictional Woods Eco, Umberto In this exhilarating book, we accompany Eco as he explores the intricacies of fictional form and method. This Craft of Verse Borges, Jorge Luis Mihailescu, Calin-Andrei This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century.

The Secular Scripture: A Study of the Structure of Romance Frye, Northrop Frye finds in romantic narratives of Western tradition an imaginative universe stretching from an idyllic world to a demonic one, and a pattern of cyclical descent into and ascent out of the demonic realm. Space, Time and Architecture: The Growth of a New Tradition, Fifth Revised and Enlarged Edition Giedion, Sigfried A classic work, first published in , translated into half a dozen languages, and now in a fifth edition, Space, Time and Architecture is an the unparalleled work on the shaping of our architectural environment.

The Shape of Content Shahn, Ben American painter Ben Shahn sets down his personal views of the relationship of the artist—painter, writer, composer—to his material, his craft, and his society. The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting Cahill, James James Cahill explores the radiant painting of that tumultuous era when the collapse of the Ming Dynasty and the Manchu conquest of China dramatically changed the lives and thinking of artists and intellectuals.

Chance, and not Cage, makes the choices and central decisions. Acting as a kind of counterpoint to the six texts here are transcripts edited by Cage of the provocative question-and-answer seminars that followed each presentation.

Included with the book are two audiocassettes, one of Cage reading a mesostic IV , allowing the listener to experience it as it was delivered, and one with a lively selection from the question-and-answer seminars that conveys the flavor of the event. I—VI is, in short, an experience of John Cage, where silences become words and words become silences, in arrangements that will disconcert and exercise our minds.

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