Megitsune baby metal download

Suzuka sounds remarkable here, and the passage has a strong emotional feel to the chord progression, ending with a quick extra measure of guitar notes and a pinch harmonic squeal before moving into the chorus. After eight measures of this seemingly mid-paced chorus, still faster than the pre-chorus, the drums pick up with some much needed 16th note double-bass hits that seem to hurl the song forward with burst of speed, making the rest of the chorus much more exciting than the first 8 measures.

These breakdowns usually consist of nothing but extremely decelerated, repetitive, detuned, palm-muted guitar chords with 4th note cymbal crashes, obnoxious low-frequency electronic bass drops, and screaming vocals. This entire section comes off as very amateur on behalf of the producers and really ruins the flow of the song while also making it very akin to a dreadful, lazy style of American metal, and I expect better from BABYMETAL at this point.

The breakdown ends with a slow, enka-style passage that leads back into the synth intro riff. The song just repeats the structure again from here, with a slight rhythm change in the final chorus, but not much else of note beyond that.

This is definitely the most disappointing BABYMETAL single to date, and quite a shame, since it seems like a huge missed opportunity to have a great song, but a few bad decisions in the songwriting pulled it down to a polarizing level. The pre-chorus and chorus of the song are well-made pieces of melody and power, but the rest of the song anchors it down at a level of being a boring mess.

Being an idol group, I have a feeling BABYMETAL will spring back to a higher level of quality with some of their future releases, so this song will just be a slight misstep in their career. The PV for the song is also a little lackluster compared to how well-conceived most of their previous ones have been. The others had interesting themes and sets, cinematic qualities, and other actors besides the backup band. The color usage and nods to traditional Japanese matsuri themes are pretty clever and well-executed, but the backup band just ends up looking awkward for most of the video and the choreography for the girls leaves a lot to be desired.

The solo shots of Suzuka during the pre-chorus and chorus are gorgeous and a nice contrast to the strong, dark themes of the rest of the video, but it feels unsatisfying as a whole.

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